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A Chorus Line Synthesizer
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Vous avez sélectionné:
A Chorus Line Synthesizer
Partitions à imprimer
15 partitions trouvées
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1
Take A Chance On Me
Take A Chance On Me
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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ABBA
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Krista Broadway Swider
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Take A Chance On Me
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Krista Swider
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1341998 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Krista Broadway ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1341998 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Krista Broadway Swider. Pop. 15 pages. Krista Swider #927511. Published by Krista Swider (A0.1341998). This Abba classic is a blast to play. This song’s form is simple, but it has really fun vocal line solos for all the instruments, snazzy synthesizer solos featured by the violins, and a great beat, which the cello and viola hold down. The arrangement starts with an intro using only the top 3 voices, imitating the feel of the original music video which starts with the four Abba singers singing acapella. Following the intro, viola and cello team up playing the “Take a Chance” rhythmic figure, emulating the chanted words from the original track, while the violins play the melody in duet form. The viola takes the melody on the first half of the verse, while the cello hugs the bass line and violins hang out on discreet descants and counter melodies. The cello then wails the melody on the second half of the verse, with a brief section in tenor clef. The song repeats and fades out on the chorus. Bowings and rehearsal letters are included for ease of sight-reading, ideal for gigging performances. This version has been arranged a half step down (the original song was written in B Major, and I adjusted the key to B-flat Major so that it’s a bit friendlier to string players).
$14.99 ≈
13.99€
Samba L.a.
Samba L.a.
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Ensemble Jazz
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INTERMÉDIAIRE
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Jazz
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Chick Corea
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B
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Samba L.a.
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Ben Dockery
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.695470 By Chick Corea. By Chick Corea and Tony Cohan. Arranged by B. C. Dockery. Jazz. Score and parts. ...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.695470 By Chick Corea. By Chick Corea and Tony Cohan. Arranged by B. C. Dockery. Jazz. Score and parts. 2 pages. Ben Dockery #6665783. Published by Ben Dockery (A0.695470). Samba L. A. comes from Chick Corea's album Tap Step and originally featured a Brazilian chorus and drumline along with keyboard synthesizers. This lead sheet is in the original key and works for all C treble instruments. Includes melody and chords symbols.
$4.99 ≈
4.66€
A Chorus Line - Synthesizer
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Piano (partie séparée)
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Film/TV
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Comédie Musicale
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Ed Lojeski
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A Chorus Line - Synthesizer
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Ed Lojeski. Film/TV, Musical/Show, Pop. Choral Instrumental Pak. 3 pages. Duration 690. Published by Hal Leonard - Digital Sheet Music (HX.40586). - Choral I...
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By Ed Lojeski. Film/TV, Musical/Show, Pop. Choral Instrumental Pak. 3 pages. Duration 690. Published by Hal Leonard - Digital Sheet Music (HX.40586). - Choral Instrumental Pak - Film/TV,Musical/Show,Pop - Hal Leonard - Digital Sheet Music
$7.00 ≈
6.53€
Hallelujah Chorus from Messiah (for SATB Choir & Orchestra)
Hallelujah Chorus from Messiah (for SATB Choir & Orchestra)
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Classique
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George Frideric Handel
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Kenneth Abeling
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Hallelujah Chorus from Messiah
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Choral Choir (4-Part) - Level 5 - SKU: A0.515230 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Christian,Christmas,Easter,Sac...
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Choral Choir (4-Part) - Level 5 - SKU: A0.515230 Composed by George Frideric Handel. Arranged by Kenneth Abeling. Baroque,Christian,Christmas,Easter,Sacred. Octavo. 103 pages. LINCOLN MUSIC PUBLICATIONS #5995075. Published by LINCOLN MUSIC PUBLICATIONS (A0.515230). Hallelujah Chorus from Messiah (for SATB Choir & Orchestra) by George Frideric Handel arranged by Kenneth Abeling. This arrangement includes a full brass section and Flute, Oboe Clarinet, Bassoon and four percussion parts but is faithful to the composer’s original work. The download consists of both tabloid and letter size scores both with covers, all instrumental parts and the choir book with individual SATB lines with cover. Unlimited prints of the choir book are authorized. Unfortunately, the audio reference, for the time being, is without actual voices but with synthesized voices. Current concerns over the COVID-19 virus made getting a vocal ensemble together to record too difficult and dangerous. I hope to replace the audio in the near future. Playing time 3:50.
$60.00 ≈
56.00€
Creator of the Stars of Night
Creator of the Stars of Night
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Chorale Unison
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Musique Sacrée
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John Ferguson
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Creator of the Stars of Night
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Chorister's Guild - Digital
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SheetMusicPlus
Unison chorus - SKU: C7.CGA474 Composed by John Ferguson. Advent, Christmas, Lent. With Flute, 3 octaves handbells. Sacred Anthem. Octavo. 4 pages. Chor...
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Unison chorus - SKU: C7.CGA474 Composed by John Ferguson. Advent, Christmas, Lent. With Flute, 3 octaves handbells. Sacred Anthem. Octavo. 4 pages. Chorister's Guild - Digital #CGA474. Published by Chorister's Guild - Digital (C7.CGA474). UPC: 749193006269.This delightful anthem for unison voices with keyboard is sure to be a favorite of young singers. The tune is bright and memorable, and the rhythmic vitality and syncopation add spark. There is an optional second part on the last line of the anthem. The text, taken from Psalms 95 and 96, is one of praise and celebration. The composer indicates that the bass line may be doubled by a synthesizer 'electric bass'. There are also suggestions given for the optional use of synthesizer (using bell or glock sound), glockenspiel, or flute to play bracketed notes in the accompaniment.
$1.85 ≈
1.73€
Stars Through the Rain for SAB and electronic track
Stars Through the Rain for SAB and electronic track
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Chorale 3 parties
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FACILE
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Adrienne Inglis
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Stars Through the Rain for SAB
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.1265057 Composed by Adrienne Inglis (ASCAP) and Walter Torres (BMI). 21st Century,Classical,New Age. Octavo. 8 pa...
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Choral Choir (SAB) - Level 2 - SKU: A0.1265057 Composed by Adrienne Inglis (ASCAP) and Walter Torres (BMI). 21st Century,Classical,New Age. Octavo. 8 pages. Adrienne Inglis (ASCAP) #857898. Published by Adrienne Inglis (ASCAP) (A0.1265057). Perfect SAB for youth or community choirs! Evocative music that speaks to loneliness and sharingEasy to follow trance-style electronic trackStars Through the Rain (2022) by Adrienne Inglis (ASCAP) and Walter Torres (BMI)SAB and electronic track by Walter TorresText — Stars Through the Rain by Kim Stafford Program note — Duration 3:23Difficulty 2 (High school)Language — SpanishProgram note — Commissioned by Inversion’s new youth choir Nova for its inaugural concert “Star Stuff” in June 2023, Stars Through the Rain is scored for SAB chorus by Adrienne Inglis with electronic track created by Walter Torres. Kim Stafford’s poignant poem of the same name tells the story of a young woman living alone in a remote corner of the world. She witnesses remarkable images of a rainbow over the moon and stars showing through the rain showers. She yearns to share these beautiful experiences with another person. The piece sets the choruses of the poem, which start in a lonely mood and subtly evolve, giving the listener the hope of being lifted into a sharing relationship with another soul. The electronic track weaves natural and synthesized elements together, creating a dreamlike soundscape evoking the night sky. The emotive arpeggiated melody line alternates between minor and major tonality, capturing her melancholic yet hopeful yearning to share this sublime moment with somebody else. The driving percussion elements represent the pitter-patter of rain drops. Synthesized pads provide the harmony and are affected by filter sweeps, a sonic interpretation of starlight refracting through rain sheets.YouTube link for electronic track: https://youtu.be/HlQFoy9hw0E.
$1.99 ≈
1.86€
Voices
Voices
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Vangelis
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Juliano Music
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Voices
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Juliano Alessandro Molteni
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SheetMusicPlus
Drums,Electronic Keyboard,Piano and Keyboard,Synthesizer - Level 4 - SKU: A0.1238356 Composed by Vangelis. Arranged by Juliano Music. 21st Century,Conte...
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Drums,Electronic Keyboard,Piano and Keyboard,Synthesizer - Level 4 - SKU: A0.1238356 Composed by Vangelis. Arranged by Juliano Music. 21st Century,Contemporary,Film/TV,Multicultural,Pop,World. 18 pages. Juliano Alessandro Molteni #833772. Published by Juliano Alessandro Molteni (A0.1238356). My arrangement for KEYBOARDS ENSAMBLE & RHYTMIC LINE of the song VOICES by VANGELIS. I have considered different keyboards type (synth wave, synth age, synth chorus, eletric piano and classic grand piano). You can also use every keyboards you want. For the rhytmic line i have add a simple BATTERY LINE and a 5 CHORDS BASS. JAM MUSIC APPROACH is the easy way to approach a song. Musicians of every kind deserve the possibility to experience and to be at ease with their improving performance.ENJOY!!
$12.99 ≈
12.12€
Pokemon
Pokemon
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Benoit Grey, Louis J Cortelezz
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Daniel Luna de Menezes
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Pokemon
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Daniel Luna de Menezes
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SheetMusicPlus
Drum Set,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Piano,Soprano Recorder,Synthesizer,Violin,Voice - Level 2 - SKU: A0.1416933 Composed b...
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Drum Set,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Piano,Soprano Recorder,Synthesizer,Violin,Voice - Level 2 - SKU: A0.1416933 Composed by Benoit Grey, Louis J Cortelezzi, and Tamara Loeffler. Arranged by Daniel Luna de Menezes. Film/TV,Pop,Rock. 41 pages. Daniel Luna de Menezes #998518. Published by Daniel Luna de Menezes (A0.1416933). Pokémon Theme (also known as “Gotta catch ’em all!”) is a song written by John Siegler and John Loeffler (sometimes attributed to Tamara Loeffler) and performed by Jason Paige. It is the original theme song for the first season of the English adaptation of the Pokémon anime. Since its release, the song has been virtually synonymous with the Pokémon franchise because the line “Gotta catch ’em all!” has become its official English slogan. Pokémon Theme is a fast-paced pop rock song with continuous male vocals intermixed with backup vocal accompaniment that also sings the chorus: “Pokémon! (Gotta catch ’em all!)”.This arrangement is based on the version covered by Billy Crawford for Pokémon: The First Movie sountrack. The arrangement is written for pop rock band instrumentation (lead voice, backing vocals, guitar, bass, piano and drums) with optional accompaniment of violins and keyboards. The optional recorder part doubles the synth (whistle) most of the time.
$49.99 ≈
46.66€
Sing Glory Hallelujah - Anthem - Score
Sing Glory Hallelujah - Anthem - Score
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Chorale SATB
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INTERMÉDIAIRE
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Tinus Badenhorst
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Sing Glory Hallelujah - Anthem
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envangeli
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SheetMusicPlus
Choral Choir (4-Part) - Level 3 - SKU: A0.909976 Composed by Tinus Badenhorst. 20th Century,Contemporary,Praise & Worship. Octavo. 18 pages. Envangeli #...
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Choral Choir (4-Part) - Level 3 - SKU: A0.909976 Composed by Tinus Badenhorst. 20th Century,Contemporary,Praise & Worship. Octavo. 18 pages. Envangeli #5025913. Published by envangeli (A0.909976). Sing Glory Hallelujah - Anthem - Score (A3)A universal praise anthem for most denominations and for all times of the year.To be performed by a full orchestra and two choirs. The larger, the better.In section A almost a marching rhythm is started by the contrabasses and cellos with an underlying drone sound from the synthesizer.In section B one alto flute begins with the verse.In section C the altos of the SATB 1 choir sing the verse.In section D the bass pattern changes slightly and the sopranos and altos sing together with an echo by the tenors+basses, then the SATB 1 choir sings in unison.4 Bars before section E the bass pattern changes completely, the SATB 2 choir and more instruments join in and in section E the SATB 1 choir sings the chorus of the piece.In section F more instruments join in and finish in a magnificant chord that plays 4 bars and reverb afterwards in another 4 bars rest.In section G the bass line returns to the first theme and the verse is sung again by the SATB 1 choir with the alto flutes playing a counter melody.
$4.99 ≈
4.66€
Marching On
Marching On
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Chorale 3 parties
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FACILE
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Contemporain
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James David Washington, Ryan T
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Keith McCauley
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Marching On
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Cantus Youth Choirs Publishing
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SheetMusicPlus
Choral Choir (3-Part) - Level 2 - SKU: A0.832773 Composed by James David Washington, Ryan Tedder, and Timothy Zachery Mosley. Arranged by Keith McCauley...
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Choral Choir (3-Part) - Level 2 - SKU: A0.832773 Composed by James David Washington, Ryan Tedder, and Timothy Zachery Mosley. Arranged by Keith McCauley. Contemporary. Octavo. 9 pages. Cantus Youth Choirs Publishing #4790531. Published by Cantus Youth Choirs Publishing (A0.832773). From the Cantus Youth Choirs Pop Series, comes an arrangement of ONE REPUBLIC'S performance of Marching On. This arrangement is for three part mens chorus with lead. This download includes the vocal score. Please see H0.620929-SC000017460 for the instrumental pack which includes score, Score, Violin 1 and 2, Viola, Cello, Double Bass, Piano, Synthesizer, Guitar, Electric Bass, Drum Set, Percussion (suspended cymbal, shaker, tambourine), and Bass Drum. A simple arrangement for beginning singers with very limited ranges. Unison lines to work on blend and intonation, limited harmony, lots of ostinato, and layered sections that read as a canon.
$1.99 ≈
1.86€
Marching On
Marching On
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Contemporain
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James David Washington, Ryan T
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Keith McCauley
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Marching On
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Cantus Youth Choirs Publishing
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SheetMusicPlus
Large Ensemble Bass Guitar,Cello,Double Bass,Drum Set,Drums,Hand Percussion,High Voice,Low Voice,Medium Voice,Piano Accompaniment,Viola,Violin - Level 2 - S...
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Large Ensemble Bass Guitar,Cello,Double Bass,Drum Set,Drums,Hand Percussion,High Voice,Low Voice,Medium Voice,Piano Accompaniment,Viola,Violin - Level 2 - SKU: A0.832774 Composed by James David Washington, Ryan Tedder, and Timothy Zachery Mosley. Arranged by Keith McCauley. Contemporary. Score and parts. 59 pages. Cantus Youth Choirs Publishing #4790537. Published by Cantus Youth Choirs Publishing (A0.832774). From the Cantus Youth Choirs Pop Series, comes an arrangement of ONE REPUBLIC'S performance of Marching On. This arrangement is for three part mens chorus with lead. This download includes Score, Violin 1 and 2, Viola, Cello, Double Bass, Piano, Synthesizer, Guitar, Electric Bass, Drum Set, Percussion (suspended cymbal, shaker, tambourine), and Bass Drum. Please see H0.620923-SC000017460 for the vocal score. A simple arrangement for beginning singers with very limited ranges. Unison lines to work on blend and intonation, limited harmony, lots of ostinato, and layered sections that read as a canon.
$14.99 ≈
13.99€
Happy Song
Happy Song
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Amphibia Cultural Legacy
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Amphibia Cultural Legacy
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Happy Song
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Amphibia Cultural Legacy
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SheetMusicPlus
Mixed Percussion,Strings Acoustic Guitar,Bass Voice,Choir,Double Bass,Drum Set,Drums,Electric Bass Guitar,Flute,Hand Percussion,Harp,Horn,Medium Voice,Medium-Hi...
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Mixed Percussion,Strings Acoustic Guitar,Bass Voice,Choir,Double Bass,Drum Set,Drums,Electric Bass Guitar,Flute,Hand Percussion,Harp,Horn,Medium Voice,Medium-High Voice,Multi-Percussion,Oboe,Rhythm Instrument,Synthesizer,Trumpet,Tuba,Woodblock - SKU: A0.1214613 Composed by Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. 20th Century,Broadway,Children,Comedy,Disco,Musical/Show. 10 pages. Amphibia Cultural Legacy #811597. Published by Amphibia Cultural Legacy (A0.1214613). Happy Song is a beautiful and uplifting track that has been given a new lease of life with a stunning orchestral cover by Amphibia Cultural Legacy. Originally written by Connie Talbot and featuring Jordan Jansen, this song has been transformed into a powerful and dynamic piece of music. The orchestral arrangement adds a wonderful depth and texture to the track, allowing the beautiful lyrics to shine.The combination of strings, woodwinds, and brass instruments creates a lush and vibrant soundscape that perfectly captures the joy and optimism of the song. The lines provide a beautiful backdrop to the vocals, while the brass section adds a bold and energetic element to the track. Adding the woodwinds provides a delicate and nuanced touch that combines the whole way.Combining the two vocalists’ voices creates a beautiful harmony further enhanced by the orchestra. The chorus is particularly effective, as the two voices blend in a positive and uplifting way that will surely bring a smile to the listener’s face. The orchestra adds a sense of grandeur and majesty to the track, making it an even more powerful listening experience.Happy Song is an uplifting and inspiring track with a great new lease of life with this stunning orchestral cover. Combining the two vocalists and the orchestra creates a powerful, dynamic sound that will surely move the listener. This track will bring a smile to your face and leave you feeling uplifted and inspired.
$80.00 ≈
74.67€
Hallelujah
Hallelujah
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Chorale 3 parties
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INTERMÉDIAIRE
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Leonard Cohen
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Justin Matthew Starr
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Hallelujah
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J M Starr Music
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1389486 By Leonard Cohen. By Leonard Cohen. Arranged by Justin Matthew Starr. Contemporary,Pop,Rock,Standa...
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Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1389486 By Leonard Cohen. By Leonard Cohen. Arranged by Justin Matthew Starr. Contemporary,Pop,Rock,Standards. 16 pages. J M Starr Music #973074. Published by J M Starr Music (A0.1389486). “Hallelujah” was originally released by Canadian singer/songwriter Leonard Cohen in 1984 on his album Various Positions. This composition, however, is one of the few in history that may be more well-known due to covers of the song than the original version. In 1991, John Cale did a cover of the song that removed the synthesizers, gospel choir, full band, and low, borderline-talking bass voice from Cohen’s original; and replaced it all with a bare-bones piano and tenor voice. It is not difficult to argue that this arrangement of the composition became the definitive version that all future covers would be based on: from Jeff Buckley’s stripped-down guitar and voice 1994 version, to Rufus Wainright’s piano and voice 2001 cover for the soundtrack to the motion picture Shrek, to k.d. lang, the a cappella group Pentatonix, and many, many more.When I first arranged this song in 2010 for my 8th grade SAB choir, I did not know the John Cale version existed; rather, I started by transcribing the Rufus Wainright recording and then made it my own from there. My arrangement is melodically akin to the Wainright, but I added harmonies in various places throughout. Lyric selection was also a choice I had to me, as each version of the song contains a different number of verses. Cohen’s 1984 original had four, and then in 1988 he sang a live version with seven (supposedly he drafted over 80 different verses!). I decided to go with five. This allowed me to structure the song in a way that got feature and give the melody to: a Soloist(s) (verse 1), the Baritones (verse 2), the Altos (verse 3), the Sopranos (verse 4) and then the entire choir (verse 5). Over the years that I have performed this with my students, I couldn’t help myself from rocking out with little bluesy fills and licks in the final choruses, so I decided to write it in. I hope you, your students, and accompanist have fun with that!
$2.50 ≈
2.33€
Watermelon Man for Clarinet Quintet & Opt. Drumset
Watermelon Man for Clarinet Quintet & Opt. Drumset
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jazz
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Qu
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Music for all Occasions
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SheetMusicPlus
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamara released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamara's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamara released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamara's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamara, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamara's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamara at friend Donald Byrd's urging. Santamara started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamara later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamara recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamara included the track on his album Watermelon Man (1962). Santamara's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzl Pygmies (1966), by Simha Arom and Genevive Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99 ≈
13.99€
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A Chorus Line Synthesizer
